在想这个剧情还…蛮狗血的,需要放在它整个setting里边看边想才有意义,其中一条是,死亡是最容易和最平常的一件事。谈到Narcissus:"It's not that he's so fucking in love with himself"..."It's that without that reflection looking back at him, he doesn't exist." 嫩嫩的Rico巨型可爱www
遐思飞飞:182.81.90.179
一集过半弃。儿童片,都是开挂破案我不如去看柯南啦,至少小哀人设更可爱(。
王德富:121.76.149.191
Certainly a micro-story to tell but I'm not sure if the film was aiming at something bigger but missed. The ambiguity is key and what makes the story shine: is it a person behind everything or the spirit of a person? Do ghosts send text messages now?
海咲野心:61.236.23.197
4.5 皮亚拉片子的后劲儿是真的大,看完几天还能在头脑中浮现某一个画面。真奇怪,现在想起来,他好像永远在接她,等她上车,送她回家;她永远在打开车门,又摔上车门,于是车子好像变成争吵和求欢的温床,杂乱无章的剪辑,不想被拼回一起的碎片,我想这大抵就如同人的回忆,开头和结尾总是浓墨重彩而显得格外清晰。不想迎合现代的标准把男主一棍子打死,他既不是所谓的渣男,也更他妈不是什么至死的少年。其实一切都在影片刚开始时被(前)妻挑破:'too scared of looking silly',是法国人那种愤世嫉俗的拧巴,对自己情感感到的羞耻和对其残酷的抹杀, 是赤裸的童年和野生的中年。
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